Frocktails 2023

It’s Frocktails time!  What an exciting time! Frocktails brings together local makers to celebrate their makes and enjoy a cocktail together. The event was hosted at The Bank on Collins and cocktail of the night was “Daylight Bobbin-ry” which was made with Jamaican Rum, Frangelico, Crème de Cassis, Dom Bénédictine, Cranberry juice and nutmeg. 

Is Frocktails the event where you can walk up and pat someone else’s fabric?  Yes, yes it is!  So why not wear texture?  We certainly leant into this with our fabric choices this year. 

From the left – Erin Butterick 6351 Crushed pleat The Fabric Lab, Lauren McCall’s 8213 tinsel fabric The Fabric Lab, Katelyn in By Hand London Flora tulle Spotlight, Eliza Know Me 2016 Spotlight, Robyn Vogue 1723 The Fabric Store

McCall’s 8213 in Purple Tinsel from Fabric Lab

Well it was love a first sight. Purple, sparkle, tassel, love. With the fabric purchased the next step was to decide how to best showcase this fabric. We looked to McCall’s 8213 for the bodice band and ties then gathered a tube of the amazing tinsel fabric onto the band.

 Butterick 6351 in a crushed pleat from Fabric Lab

Fabric Lab has an amazing selection of special occasion fabrics including amazing pleats! Erin found this sensational shot green in a crushed pleat. She stitched it up in Butterick 6351 with the elastic back waist and open draped section in the back bodice.

Vogue 1723 in georgette from The Fabric Store

Mum has created a stunning long-length version of Vogue 1723 in a stunning georgette from The Fabric Store that was lined in pongee lining to compliment the weight of the outer layer. Do you spot Dad there in his Stakes Day vest? That’s right, what a week, Frocktails was on the evening of Stakes Day, 8 events in 7 days!

Photo Credits

Photographer: James Christie Media
Pattern: Butterick 6351, McCalls 8213, By Hand London Flora, Know Me ME2016 and Vogue 1723
Fabric: Fabrics from Fabric Lab, Spotlight and The Fabric Store.
Millinery: Lauren J Ritchie Millinery

Looking for more Frocktails inspiration? Check out our 2022 Frocktails outfits here.

Matching outfits for Stakes Day 2023

Our family loves a matching outfit opportunity, and there is no better excuse than family day!  Stakes Day at Flemington is known as family day so here we go!  We selected our fabric for the year which was a floral polished cotton from Spotlight.  Mum created our outfit this year, what a task!  All five of us wore a garment in this fabric.  

From the left: James in a handmade tie, Erin in Butterick 6482, Mum in Vintage Simplicity 7083, Dad in McCalls 4321, and Lauren in Simplicity 8594

Floral Dresses Butterick 6482, Simplicity 7083 and Simplicity 8594

Photographer: James Christie Media
Pattern: Butterick 6482, Simplicity 7083 and Simplicity 8594
Fabric: Spotlight 
Millinery: Lauren J Ritchie Millinery

Looking for more matching family inspiration? Check out our 2022 Stakes Day outfits here or the matching Christmas looks here.

Oaks Day Vogue 9021 and Vogue 9328

Oaks Day is known as Ladies’ Day at Flemington Racecourse during Melbourne Cup Carnival.  The fashion features lots of florals and soft colours.

Vogue 9021

Lauren wore a vibrant green floral polished cotton from Spotlight in Vogue 9021.

Vogue 9328

Erin wore a gorgeous blue polished cotton from Spotlight in view E of Vogue 9328.

Photo Credits

Photographer: James Christie Media
Pattern: Vogue 9021 and Vogue 9328
Fabric: Fabrics from Spotlight
Millinery: Lauren J Ritchie Millinery

VRC Kennedy Oaks Club Lunch at Crown Palladium in Vogue 1884 and Vogue 1723

We were very excited to attend the VRC Kennedy Oaks Club Lunch at Crown Palladium for the first time.  Where did we start with our outfits for this ladies’ lunch?  We went for a hunt in our stash and found two fabrics that were just waiting for the occasion.  We created two Vogue patterns for these fabrics Vogue 1723 and Vogue 1884.

Vogue 1723

We had seen a fabulous outfit of silk blue organza created by Laura Wolfgang on Instagram and set out to create our own version.  The outer dress is Vogue 1723 by Carlos at Vogue Patterns in embroidered tulle from New York when we were there earlier this year.  The underdress is Vogue 1834 in a peppermint rayon blend from The Fabric Store. 

Vogue 1884

The fabric for Lauren’s dress was purchased in Vienna and patiently waiting in our stash since 2018!  The border style print called for a skirt that would showcase the lovely design.  When Vogue 1884 came out we knew it was just the design for this fabric.  

Photo Credits

Pattern: Vogue 1723 and Vogue 1884
Fabric: We wish we could remember the locations but sadly all we can offer is New York and Vienna.
Millinery: Lauren J Ritchie Millinery

We also got see see fellow sewer Bryony Bourke who was wearing a fabulous me made outfit!

Cup Day in Butterick 6556 Vogue 9357 and Vogue 1883

Melbourne Cup Day, known as the “race that stops a nation,” is a renowned horse racing event and a showcase of fashion. Glamorous hats that complement vibrant and stylish dresses are a must! The style is generally of elegance with a focus on bold colours, intricate patterns, and tailored silhouettes. This year we lent into the vibrant pink tones of the day with three fabulous outfits. 

Butterick 6556

Erin’s outfit was a top and tiered skirt with multi-coloured layers.  The pattern used for the top was Butterick 6556 with the addition of a sleeve from Schultz Apparel. The skirt is a self-drafted skirt which is basically just lots of gathered rectangles together to create the wrap skirt. 

The Inspiration

Early this year when we were in New York, just casually strolling along 5th Avenue, this fabulous outfit caught our eye. Thank you to the windows of Bergdorf Goodmans for providing us the inspiration!

Then the challenge began to find the fabric. It was important that it was all the same fabric type so we needed to find a supplier that had the same fabric type if a wide range of colours. We wanted to find a light taffeta to provide a luxe feel to the finish and a full body to the skirt.

We hunted far and wide and ended up finding a range of taffeta from Minerva based in the UK. See the fabric here.

Vogue 9357

Lauren’s dress was created as a polyester jacquard from Spotlight Pink for Cup Day, which was not a wise choice for such a humid day! Anyway, next year we will be wearing cotton. The dress was a combination of the top pattern Butterick 6134 with the skirt from Vogue 9357.

Vogue 1883

Lauren presented her entry for the VRC Lillian Frank AM MBE Millinery Award track side on Cup Day so we got to have the fabulous Molly Richardson with us! Molly wore a vibrant coral crepe from Fabric Minerva in a dress pattern Vogue 1883.

Photo Credits

Photographer: James Christie Media
Pattern: Butterick 6556 Vogue 9357 and Vogue 1883
Fabric: Taffeta from Homecraft Textiles, pink jacquard from Spotlight and crepe from Minerva
Millinery: Lauren J Ritchie Millinery

Cup Eve Reception in Vogue 1802 and Vogue 1578

We had the honour to be invited to attend the Cup Eve Reception at Government House. The evening celebrates the first Melbourne Cup run in 1861 when Victoria only began to find its feet as an independent colony. We chose to pull Vogue 1579 out of the cupboard and created a new Vogue 1802 for the occasion and pair it with pieces from Lauren’s millinery collection. 

Vogue 1579 in Fabric Deluxe

Lauren wore a fabulous bird and butterfly with blue detail and a black background jacquard from Fabric Deluxe. We used Vogue 1579 to create the straight skirt with a fitted bodice and cape detail.

Vogue 1802

Erin wore Vogue 1802 a dress pattern from Sewdirect Australia that has a loose-fitting bodice with a neck tie and gathered dropped skirt. She stitched it up in a floral polyester crepe that we found in Spotlight.

Photo Credits

Photographer: James Christie Media
Pattern: Vogue 1578 and Vogue 1802
Fabric: Blue and Black Jacquard from Fabric Deluxe and floral crepe from Spotlight
Millinery: Lauren J Ritchie Millinery

Derby Day 2023

For our Derby Day looks this year, we wanted to make something from unique fabrics. Derby Day is known for wearing black and white on the Saturday before the Melbourne Cup at Flemington Racecourse.  

We had found the white polka dot fabric and had been saving it up just for this occasion. Lauren wanted to draw on the velvet texture by including black velvet ribbon in the detailing of the design. The sleeves were based on Simplicity 8839, with the rest of the dress self-drafted. 

This year, Erin was looking to create a different look to our usual vibrant coloured fabric choices and found Fringe-Inserted Poplin Pinstripe at Fabric Lab.  To showcase this fun texture she was looking for a simple dress design and chose Butterick 6556. 

James’ Butterick 63339 Vest

Welcoming James to his first Spring Carnival with us we wanted to create something special!  We found this lovely textured wool that we had from our Nan’s stash and created Butterick 6339.

Minerva Dynamic Brushstrokes Cotton Sateen in Vogue 9328

We loved working with the Minerva exclusive print! As you might have seen from our previous makes we love working with polished cotton. The finish on the surface gives a rich effect but you still get the comfort of wearing natural fibres and this version is 100% cotton.

Fabric: Minerva Exclusive Dynamic Brushstrokes Cotton Sateen Fabric

For this project, we created it with the Minerva Exclusive print Dynamic Brushstrokes on the Cotton Sateen Fabric Sateen. It is 100% Cotton with a lovely surface finish that is 142cm wide. Find out more about the fabric here.

Pattern: Vogue 9328

For this make we chose Vogue 9328 and went with View C. We kept the lovely princess line with bust dart detail and raised the height of the V as it felt more comfortable to wear to the office. This view has bishop sleeves which is a long sleeve design, with gathers in the head and the signature bellowing before being gathered in at the bottom. Find this pattern on the Minerva website here.

Finished Make

Photo Credits

Photographer: James Christie Media
Pattern: Vogue 9328
Fabric:  Minerva Exclusive Dynamic Brushstrokes Cotton Sateen Fabric provided by Minerva.

Minerva Makes

Two Sewing Sisters are proud to be Brand Ambassadors for Minerva.  Fabric for the projects featured in this blog has been provided by Minerva.  The pattern selection, design and photography are taken by Two Sewing Sisters

Vogue 9328 in Minerva Dynamic Brushstrokes

We loved working with the Minerva exclusive print! As you might have seen from our previous makes we love working with polished cotton. The finish on the surface gives a rich effect but you still get the comfort of wearing natural fibres and this version is 100% cotton. This gorgeous print is called the Dynamic Brushstrokes. For this make we chose Vogue 9328 and went with View C. See more about this make here.

Papercut Patterns Palisade Pants and Juno Jacket 

The Palisade Pants are one of those patterns we had been watching and seeing many amazing versions of but hadn’t taken the plunge yet. We loved making the Palisade Pants and Juno Jacket as part of the Minerva Sewing Kits.

The sewing kits for the pants and jacket included the sewing pattern, beautiful purple linen fabric and all notions (aka all those pesky parts you have to collect but are absolutely essential for success), interfacing, the perfect width and type of elastic, a new pack of machines for your sewing machine, fun coloured safety pins and the matching Guterman thread. See more about this make here.

Green Rain Jacket

We fell in love with the green leaf print of this fabric as soon as we saw it! As lovers of green, the contrast with the white and black pattern was eye-catching. The canvas fabric is 45% cotton and 55% linen with a vinyl overlay. 

The Eden Coat is a fully lined, raglan sleeve rain jacket, with a hood and multiple pocket options. One of the features we loved was the shaped and lined hood. We made the short version, with flat pockets (with pocket flaps), zipper and optional storm flaps. We can’t wait to wear it on many rainy days to come! See more about this make here.

White Floral Poplin

This fabric is just what we needed to kick off our summer wardrobe sewing. The fabric is the Lady McElroy Marlie Cotton Lawn Fabric, a light woven non-stretch 100% cotton fabric. This sweet floral print has a black background and a small repetitive flower pattern with raspberry, lemon and cornflower blue centres.

For this dress, we used the bodice and skirt of the vintage pattern Butterick 5677. It is a semi-fitted design with a below the knee-length hem. The round neckline has a slit at the front that is secured with a button fixture and loop. The sleeves we added to the bodice was the short sleeve version from the vintage dresses pattern Simplicity 8335. It had an additional bit of gathering in the sleeve head which we liked and to keep in line with the finishings on the rest of the garment we also put elastic in the hem. See more about this make here.

Dashwood Studio Zadie

Zadie, ohhh Zadie! With over 10.5 THOUSAND photos of this pattern on the Instagram hashtag, needless to say, it has been on our radar for a while. We finally made one, and we are hooked!
Since making this jumpsuit last week, every time we talk about a fabric or a “creative vision” we imagine making a Zadie. The phrase “imagine if we made this into a Zadie” has been used in our household more than seven times this week (… and this isn’t an exaggeration!). See more about this make here.

Parrot Poplin

This fabric is just what we needed to kick off our summer wardrobe sewing. The fabric is the Lady McElroy Marlie Cotton Lawn Fabric. A light woven non stretch 100% cotton fabric. When we first saw this fabric, the bright coloured print of the dress attracted us to the fabric. The vibrant colours of birds and leaves against the navy background were mesmerising in the product photos and even more in real life!

We used Vogue 8347. This vintage Vogue pattern does not have a date, but we guess it is from the late 1980s. After working from home for almost 18 months, comfort is the key motivation in the garments we make. The pattern is a very loose-fitting flared pullover dress. The top of the dress has a self-lined yoke, with buttons creating an opening on one shoulder. See more about this make here.

Two-piece checks

We are so excited to finish this vintage inspired two piece outfit just in time to wear it before the weather gets too warm!

For the skirt, we used McCalls 5113, with the copyright year of 1976. It is an A-line skirt, with a centre back zipper and pointed patch pockets. The front skirt panels are cut on the cross of the fabric, allowing the check of the fabric to sing proud as a feature, as the 45-degree angles of the check line up down the centre front seam.

For the top, we used Butterick 3289, with the copyright year of 1985. The top is loose-fitting with dropped shoulders and ¾ sleeves. The pattern originally had buttons down the centre back.
However, we really wanted the top to have an open-end zipper to make it easy to get on and off.

We used the Stretch Woven Suiting Fabric in Pink & Red. The grey background provides a solid base to allow the red, maroon and bright pink lines to pop. These vibrant colours allow for wonderful mixing and matching with other tops, skirts and pants. See more about this make here.

Floral Pajama’s

Over the last year, we have made a few sets of PJs from the McCalls Sewing Pattern 8056 pattern. The pattern has so many variables to mix and match to create your sleepwear set. For this project, I used the longer dressing gown, view B. I wanted to create a nighty that was light and floaty to wear underneath. This led me to explore our pattern collection and I came across our copy of the Ashton Top by Helen’s Closet Patterns.

For my fabric, we wanted something light and explored the Poplins selection on Minerva. This floral Art Gallery Fabric caught my eye in the Manhattans Glitz colourway. We loved the magenta-purple flowers with contrasting hues of aqua green and orange against a dark background. See more about this make here.

Red Plaid

What a fabulous check. This Polyester Viscose Suiting Fabric Black Red Grey has a bold pattern, complemented by an intense colour combination of black, grey and red. It was screaming to be made into a dress for work.

The challenge to constructing Butterick 5851 is the underarm gusset. Gussets provide a little extra room to enlarge certain areas of garments. In a pattern like Butterick 5851, the bodice and sleeve are in one piece and cut on the cross. So the gusset adds some extra space for the sleeve and arm movement. You may be thinking – wait, that isn’t the skirt to Butterick 5851? You are right. It is in fact our FAVOURITE skirt pattern, Vogue 1743.  Check out the pieced sleeve head! See more about this make here.

Edith Smock

The navy colourway of this poplin has white, lavender and coral paisley shaped repeated paisley shapes. The fabric is 112cm wide and is made from 100% Cotton.

The Edith Smock is a zero-waste design with all the pieces interlocking and cut from a rectangle of fabric. Traditional pattern making has a lot of curves and abstract shapes that do not interlock very easily from a Zero Waste perspective. For the Edith Smock Pattern Union has created there is a clever approach to forming the shapes we need to fit our bodies. Check out the pieced sleeve head! See more about this make here.

Black Crepe Floral

This beautiful black floral polyester crepe features a white floral design with dark red features and a green leaf pattern. The fabric is 150cm wide with no stretch for this 100% polyester crepe. This fabric was easy to work as was easy to stitch with a new shape needle to prevent any pulls. For a crepe fabric, it held its shape well when pressed.

When Vogue 1633 was released I loved the line of the dress.  A fitted waist with an A-line skirt and large statement sleeves.  The stand collar allowed to fall into the drape of the fabric was a nice detail.  The closure of the dress is a zipper at the centre back.  Instead of the recommended press studs, I used vintage buttons with an elastic loop for the closure at the sleeve cuff and neckband.  See more about this make here.

Ruby Brocade

Our most recent project has been working with this stunning ruby and taupe brocade with a metallic feature through it.  This woven fabric is 94% Polyester, 6% Metallic and part of the deadstock range stocked by Minerva. The Marta dress is the latest pattern release from Schultz Apparel.  For our version, we selected the style that has a fitted bodice with a beautiful square neckline and a straight skirt that features a split to above the knee.  The full-length sleeves have a small amount of gathering in the head of the sleeve and bellow around the forearm before coming in at the wrist. See more about this make here.

Blue Everest Coat

Once Erin saw this bright blue wool, she knew it was time to tackle her sewing ‘Everest’. Blue is one of her favourite colours to wear. The yellow and white line through the fabric breaks up the bold colour and provides a vibrant texture to the fabric. We decided to make the fabric into Butterick 5966. It has a flattering fit and flare shape and is fully lined. The pattern did have its complexities with side pockets, two-piece sleeve and fly button closing.  See more about this make here.

Schultz Apparel Paisley Dress

For this mash up of Schultz Apparel patterns, Lauren used this stunning Navy Paisley Cotton Poplin Fabric. She really wanted to use the wrap bodice from the Ottilia pattern, it has a great cross over because it does not sit too open with bust darts and long waist ties. We love the long Minna sleeve! The fullness is fantastic with gathering at the sleeve head and into the wrist. For this version, Lauren used elastic around the wrist and created a stitched casing. For the skirt, by selecting to start with 3.5m it meant she could do a tiered gathered skirt. The bottom tier contained 3 times the width of the fabric the top tier was twice the width. This was then gathered into the waist of the bodice. See more about this make here.

Navy Floral Fit and Flare

Hunting through the pattern box, Erin came across Vogue Pattern 1743. She was attracted to this pattern by the large external pockets cut on the bias, complemented with a flared skirt (that wasn’t circular or gathered, which is also perfect for work!). We have no doubt this dress is the first of many Vogue 1743 skirt and pocket combinations Erin will make for work! Paired with Butterick 6410 it was the perfect combination for this navy floral polished cotton. See more about this make here.

Tear Drop Atlas Top

It felt like time for a fun causal top in our make list and this Camelot Fabrics Cotton Poplin Fabric Navy was perfect! We have made the Atlas Top from Stitch Witch Patterns before (see here) and really loved the detail in the style. It is also a quick and easy pattern to sew together with no fastenings. See more about this make here.

Navy Jacquard

For this make, we used Woven Jacquard Fabric Navy with Simplicity 8594, which we have made before and loved the style. The pattern has two bodice options a crewneck with slit and raglan sleeve or a more open halter style. The skirt can be made in straight or flared style and has pockets in the side seam (yes pockets!). See more about this make here.

Floral Wrap Dress

This Lady McElroy, Marlie Cotton Lawn Fabric is light and breathable, perfect for a summer dress. Initially, we planned to make a vintage summer dress with a fitted bodice and a very full skirt. Once the fabric arrived, we changed our mind and decided to make McCalls Sewing Pattern 8036 instead. We wanted to make sure the pattern of the fabric was allowed to shine and not be overshadowed by a more complex bodice or the density of a very full skirt. See more about this make here.

Striped Vogue Skirt

When we saw the Stretch Suiting Fabric, we knew it would be perfect! The double line of a solid and dotted line combination within the fabric, provided a wonderful texture to the material while also providing the feature we were looking for in more subtle contrast. The rich plum colour provided a sophisticated colour, that wasn’t the classic black and white stripe combination.

We have had #vogue1683 sitting in the pattern tub waiting to find the perfect fabric. We paired the skirt with a matching top, adapted from the bodice of #butterick6556. See more about this make here.

 Printed Linen Viscose

As soon as Lauren saw this Linen Viscose Blend Fabric Sage Green she knew what she wanted to make. A new pattern from McCalls called Sasha, pattern number 8036. The variation Lauren made had the Asymmetrical button feature, shoulder bodice tucks, above elbow length sleeves featuring darts in the sleeve head with an A line skirt that finishes below the knee. See more about this make here.

 Fleur-de-lis Blue Printed Cotton

The Copen shade of blue was a beautiful balance of the colourway with the lightly washed blue providing a contrast to the white pattern. For this project, I was itching to make a shirt dress of some variety. Lauren loves a shirt dress! We find them a great style for work as they have a professional appearing with the button detail and collar but keep a feminine style with a skirt. Lauren had been wanting to make Butterick 6090 for quite a while with a love for the detail around the neck and the elbow length sleeve had to create balance to the pleated style skirt for those cooler Spring days. See more about this make here.

Red Floral Jumpsuit

When we spotted this vibrant red background, with white and black abstract floral pattern on the Minerva website it reminded us of one of our favourite dresses we had purchased many years ago. We started to think about how we could take this stretched polish cotton and create a similar feel.

For the pattern, we hacked together the bodice of Butterick 6410 and jumpsuit pants from Vogue 9075. We had made the jumpsuit before and loved the style and fit of the pattern. However, we really wanted to add a collar to the jumpsuit. While we could have tried to attach a collar to the existing neckline, we decided to swap out the bodice pattern altogether. Instead, we used the bodice of Butterick 6410 which also meant that we were able to include the horizontal design feature across the bodice. See more about this make here.

Frocktober 2023

Frocktober is Australia’s is a month-long fundraiser created by the Ovarian Cancer Research Foundation (OCRF) to raise awareness and funds for vital ovarian cancer research.    If you have been following for a while you will know that we have taken on the Frocktober challenge of wearing a different dress every day in October.  We take the challenge of wearing a me made dress every day in October in support the OCRF. 

Looking for more frock inspiration? Check out our 2019 Frocktober here, our collaboration with Alexandra Nea with a Frocktober Fabric print here,