We had the honour of taking part in Sew Gorgeous which is a special collaboration between Songlines Art, Flying Fox Fabrics & Papulankutja Artists. This is the second year we have worked alongside a great team of makers in this project led by Songlines Art.
We chose to work with the Seven Sisters print by Anwari Mitchell of Papulankutja Artists.
It is a digitally organic cotton fabric printed by Next State Print in Melbourne. The classic cotton is made from organic yarn and woven in a satin finish at 140cm wide.
The artwork by Anwari explains the creation of two constellations: the Pleiades and Orion. Find out more about Anwari’s work and the story behind the design on the Songlines Art website.
For the pattern, we looked through our pattern collection for a design that had a bodice that would showcase the fabric. The trick to this was that it doesn’t have too many design lines. We found Vogue 9343 and adapted the skirt to be A-line to better show off the material.
Cutting this fabric it was really important that we considered the pattern placement in this beautiful work by artist Anwari Mitchell. Enjoy watching us debating the print placement in the video and then see the pattern placement in the skirt captured in the photos below.
Sew Gorgeous Photos
Seven Sisters print by Anwari Mitchell of Papulankutja Artists Model: Jadene Croft Photographer: Nicholas Gouldhurst
We had the honour of being invited to our dear friends Max and Cassidy’s Wedding in New York! This called for new dresses, a winter black tie wedding in New York isn’t something we have hanging around in our closest. This was a wonderful opportunity to tackle more advanced Vogue Patterns! Off we headed to the fabric stores to find some inspiration for some wonderful fabric and patterns.
Erin in Vogue 1520
We couldn’t think of anything more fitting for a winter wedding than a full-length velvet dress!
We’ve seen Vogue 1520 by @badgleymischka in the pattern books for a while, but never had the opportunity until now to make it!
The pattern only has 5 pattern pieces for the outside layer, each a really unique shape given the side gathering! We sewed about 70% of the dress just on the four-thread overlocker and completed gathering stitches and hems on a domestic sewing machine.
We deviated from the pattern in two ways: 1. added gathering around the wrist (by extending the sleeve piece and using the same method of the side waist of the dress) instead of the lace feature. 2. removed the train to allow for maximum dance floor moves but kept the shaping at the back
Lauren Vogue 1908
A winter black tie wedding in New York was an excellent opportunity to tackle Vogue 1908 in a challenging fabric
This pattern is a wrap-style dress with a button-bodice closure and a wrap skirt. We loved this pattern for the self-covered button and collar feature, even though the self-covered buttons were challenging in the metallic georgette!
This fabric was tricky to work with and looking at the photos afterwards could use a popper on the left side seam to help hold the wrap strap into place. If you would like to follow along with the construction of this dress check out our Instagram Highlight here.
Photographer: James Christie Media Pattern: Vogue 1520 and Vogue 1908
We were excited to be invited to be part of the testing team for the new pattern release from Gracie Steel. This dress is a great beginner make with a loose fit. It has simple bust darts and a tie feature at the top of the centre-back keyhole.
Adrift Shift Dress Design
The Adrift Shift Dress sewing pattern is a classic and timeless shift dress. This shape was a staple of the 60s and continues to stand the test of time.
The swing bodice shape features a bust and shoulder dart. You can choose a round neck or sweetheart’s neckline with a back keyhole and tie feature.
Gracie encourages hacking of her patterns but for the pattern testing, we wanted to create the pattern just like the original design with the round neck for the first time we made it. However, we have a few hacks up our sleeve and can’t wait to see the different versions that come through in the #adriftshift on Instagram.
The pattern is described as being suitable for a range of fabrics, both knit and woven, including cotton, linen, and silk or jersey.
We went through our stash to find a fabric looking for a bold print that would be a great showcase for this dress. We came across this canvas from Nerida Hansen that we had purchased at a Finders Keepers Market in Melbourne a few years ago.
When we were testing this pattern the fabric requirements had not been released so we worked out that we would need two lengths of the dress, as we assumed the front and back dress pieces would not fit side by side.
The fabric we found was not quite wide enough to place them side by side. As a result, we made the width of the doubled-over section and were the fold the width of the dress so that we could keep the long length for another project.
Once we had placed the front and back dress pieces we then fitted the facing pieces in around the larger pieces.
The instructions provide great step-by-step instructions for a beginner sewer and a “Super Speedy Construction Summary” for those more familiar with garment construction. If you would like some more support for the construction you can also watch Gracie’s sewing along video on YouTube.
For the back keyhole feature, the facing piece provides great coverage of the seam. It is a great technique to mark the centre backline and then stitch either side of the chalk line before cutting it open.
Those who have been following us for a while will know our family loves an opportunity for matching outfits. There is no better opportunity than Stakes Day! This year we went with a striped fabric that Erin sourced from DK Fabrics in Adelaide. If you are in the area and looking for fabric stores check out her Must Visit Fabrics Store in South Australia blog.
Lauren and Erin’s Outfit
For our stakes day outfits, we chose patterns with panelled sections so we could play with the direction of the stripes in the fabric.
Lauren wore Vogue 9357 which is designed by Carlos at Vogue Patterns. We took the band out of the waistband as we didn’t need the extra panel or else it became too busy with all of the stripes. We utilised the front seam and cut the panel on a 45-degree angle and matched the stripes up the middle when it was stitched together (a nervous but rewarding moment)
Erin created a striped version of the Vicki Sews Lorraine bodice and added a gathered skirt with a horizontal band around the hem. The hem panel was the width of the crinoline we had on hand, we like adding crinoline into the hems of some of the dresses to give a fuller hem to some light fabrics.
Robyn and Davids’s Outfit
We don’t often have the opportunity to share what we sew for our parents, but after ourselves, they are the people we sew for the most!
With all of these garments, we were looking for a chance to showcase the panelling with the stripes of the fabric. For Mum, we returned to Vogue 1312 which is a pattern we had made for her in a light blue textured linen we love the bottom band and then insert the chance to cut it with the stripe going around meeting an up and down of the bodice running into the skirt was a great combination.
We love making Dad a matching shirt but for this occasion, he wanted to wear a tie so we created a self-drafted, Two Sewing Sisters tie that he could wear with tan chinos and a white shirt. The weather was surprisingly cool and we had just finished making him Simplicity 9191 in blue wool which we quilted.
We had the honour to be invited to attend the Cup Eve Reception at Government House this year. Lauren was invited as President of Millinery Australia and showcased a piece of millinery as she was a finalist in the 2022 Millinery Australia Design Award. This celebration called for a new outfit and we hit the fabric stash to find something special.
When Mum and Dad were travelling near Darwin they found Injalak Arts which is an Aboriginal-owned organisation with the community at its heart, that strives to deliver positive social, economic and cultural outcomes for all involved. They produce beautiful unique hand screen-printed designs on the fabric in their workshop in Gunbalanya.
Mum and Dad selected a piece of fabric for each of us and we were waiting for a special event to use this fabric. Erin found the stunning gold screen printed Dupion which she decided to use for this event. As the fabric has a great structure and we wanted the print to be the hero of the garment so she used Vogue 1732 with an A-line all-in-one bodice and large statement sleeves.
Erin paired the dress with a matching clutch from the same fabric also purchased at Injalak Arts, black shoes and a black headband made by Lauren.
Lauren wanted to create an outfit that would compliment the stunning print of Erin’s gold silk and show respect for the design. We came across this blue crepe fabric with a water-like print. When looking for a pattern for this fabric, Lauren looked back on some previous makes and loved the line of a red floral jumpsuit we had made a few years ago that combined the bodice of Butterick 6410 with a pant to create a jumpsuit. For this combo we used Vogue 1647 as it has a wide leg but flat front to make the most of the fabric.
To show off the design lines of the patterns we inserted black piping around the collar edge and horizontal bodice seam. In-seam pockets are a must and remove the need to carry anything and Erin was inspired to continue the piping theme and inserted it into the side seam as well. A tricky conquest given the pocket as well.
Lauren paired the dress with taupe and black piped shoes and a black riding-style hat she made.
This dress started with a moment of Erin say, “Loz, I’ve had a vision”. Which usually results in a great feat of sewing marvel and a hopefully incredible outcome.
There were two key inspirations for this dress:
(1) So many scraps left over from 2019! When Erin made the hexagon quilted dress in 2019, we thought “surely this will use up all of our black and white fabric scraps” – only not only did it not use up all of the scraps, we’ve created more scarps over the past two years. See more about the 2019 hexagon dress here.
(2) @fromcarlyb reel of scrap busting by making your own textile
(and yes, for those who followed along the hexagon dress for two years this was done in time)
We created this fabric by marking out the shape of the pattern pieces on a base of a white upcycled sheet as a base, arranged the scraps which was then sandwiched with two layers and tulle and stitched into place. Enter the industry sewing machine for this quilting step. Once each piece was “quilted” we cut the piece back to the pattern piece shape and constructed the dress.
The features of this dress included a band across the bust and in seam zipper pockets.
In July we headed to Melbourne Frocktails! We have seen this wonderful event for several years but this is the first time we got tickets. Melbourne Frockails is an annual cocktail party for people who enjoy sewing their own garments so the stakes are high for the dress code. Obviously, me-made is a must!
The brief was “Sew your finest outfit, and come to chit-chat to sewing peeps from near and far, over cocktails and canapes.” Th event was hosted at The Bank on Collins Street in the heart of Melbourne. Eliza joined us for the event creating a stunning version of By Hand London’s Anna dress in dark green velvet.
Lauren’s Frocktails Dress
We started this dress in 2019 for an event but didn’t get it finished in time – so it got its first outing for this event. I wanted to create something whimsical with a maroon striped lace I had found a Darn Cheap Fabrics and the vision became creating a “maroon fairy”. I was particularly inspired by Needle and Thread dresses with the light lace in gathered ruffles. I had been collecting some images on our Pinterest Board to bring together the concept.
The Pinterest Board
Once I had picked some elements to focus on I started with the bodice of New Look 6494. I liked the rounded bodice detail and sleeves. To test the design lines I took the line drawing from the pattern, which you can just see a faint line of in the sketch and overlaid the additional ruffles.
I wanted to create a soft neckline so I opened up the neckline line and added some gathering into the pattern piece then I used these stand collar pattern piece back to front and added a ruffle at the top edge.
The skirt was formed with three gathered tiers onto a poplin backing (thank you gathering foot, you lifesaver). I wanted to make sure the backing material was not too heavy and take away from the light characteristics of the lace.
The bodice was constructed with the lace basted on a matching poplin which was then treated as one fabric and bagged out with an interfaced support that included boning.
The finished dress
Erin’s Frocktails Dress
Having created many amazing formal dresses for events across the last few years Erin pulled out a favourite that she originally made for the Women in Law Awards when she was nominated for Law Student of the Year. The pattern is Vogue 9343 and we altered the bust to allow for an overlap of the bodice pieces. It is constructed in a printed taffeta weight fabric that was sourced from Darn Cheap Fabrics.
Photographer: James Christie Headpieces: Lauren J Ritchie Millinery Erin and Lauren’s Dress: Fabric from Darn Cheap Fabrics Lauren’s Bodice Pattern: New Look 6494 Erin’s Dress Pattern: Vogue 9343 Eliza’s Dress Pattern: By Hand London Anna Eliza’s Fabric: Spotlight
When Maaike from MaaiDesign contacted us to see if we’d like to collaborate on a project, we couldn’t respond fast enough!
MaaiDesigns is located locally in Bright, Victoria, just near where we grew up! Operating online Maaike and her team distribute a beautiful selection of fabrics from beautiful North East Victoria to wherever you are!
Maaike started her business with a goal “I had visions of colour, prints and styles that were unique, fun and a joy to wear” and a mission to offer her customers the ability to make unique garments for themselves and their families. We think she has very much achieved this brief!
The fabric, which is made in Turkey, is 150cm wide and made from 80% LENZING™ ECOVERO™ Viscose and 20% Linen.
Due to the fibre content, it is highly recommended to pre-wash the fabric as it has a shrinkage of 2-5%. It is machine washable at 30°C (medium spin) – which is also the temperature we prewashed the fabric!
The print on the fabric is a stunning large-scale brush stroke print on a natural white base. This fabric drapes beautifully, is slightly textured and is divine to wear. It is slightly heavier than a classic viscose fabric.
This fabric is oeko-tex certified as it is a ECOVERO™ Viscose which is a wonderful bonus for the already fabulous fabric!
Fun fact: “ECOVERO™ Viscose fibers are a sustainably certified viscose fiber. It’s made of pulp from wood that derives only from certified and controlled wood sources. The production of ECOVERO™ Viscose only requires half the water compared to regular viscose production, and the CO2 emissions and use of energy is also halved, compared to conventional viscose production“.
Since we started doing this, Schultzapparel has now released the Ottilia Dress pattern, which actually is basically a pattern of this hack!
For the sleeves, we used the full-length Minna sleeve piece that has gathering in the head of the sleeve and into the cuff.
Construction of our MaaiDesign Collaboration
As this was a viscose fabric there is movement in the fabric which can become difficult to cut if you are not careful. To begin the cutting process we carefully laid out the fabric, folding it right sides together on a flat surface. From there, our goal was not to move the fabric but pin the pattern pieces on carefully and cut around each piece ensuring that markings on the pattern were captured.
For the bottom of the waist darts in the bodice, we did a small snip, just under 1cm long. The seam allowance of this pattern is 2cm so this small snip is not seen in the finished garment.
A classic mistake we make when sewing a wrap dress is either forgetting to leave a gap in the side seam for the ‘wrap strap’ or putting it on the incorrect side. To avoid these mistakes, we lay out the fabric pieces as if we will sew them together (as shown in the picture) and read the instructions carefully.
To keep this garment light and airy once finished we used a bias finish around the neck edge. With the light-coloured background of the fabric, we used a white bias so that it would not be visible once finished.
In the past we have tried doing a full lining of this Ottilia Top pattern – however, the fabric was heavy, and it meant the wrap bodice didn’t sit well. Our preference is to do the facing or bias now when we make this pattern, but it would depend on the fabric choice!
As the rayon is quite delicate and any hand sewn stitches, no matter how small, would be visible, we decided that by using a matching thread, we would top stitch the bias and hem of the dress.
When it came time to hem the dress, we overclocked around all three sides – as it is a wrap dress we needed to hem the ‘side edges’ of the hem as well.
As we started to press the hem up, we realised it would be a much better finish to the dress if we did a double-rolled hem. That way, if the wind catches the full skirt or the wrap of the skirt shows the underside, it was as pretty as could be!
You don’t need to overlock the edge of the fabric if you are going to double roll the hem, but given we had already done so there is no harm in keeping it there.
The photo shows the first narrow fold of the held (with the overlocked edge) followed by the slightly wider second fold. We then top stitched, however, if you wanted, you could also hand stitch to provide an even cleaner finish.
Sleeve length band
The Minna pattern has a full-length sleeve. The pattern is drafted to have a cuff that the fullness of the sleeve gathers into. To allow for flexibility when wearing the dress we have inserted elastic into the hem of the sleeve instead. To do this we did not cut the cuff piece, instead finished the raw edge with overclocking and folded over the fabric to create a self-casing, leaving a small gap in the stitching we pull the elastic through using a safety pin, joined the elastic into a loop and then closed up the remaining section of the casing. This method is very similar as inserting elastic in the waist of a pair of pyjama pants.
In this fluid moving fabric, the shape of the sleeve allow it to bello and loved the opportunity to sit in the fullness of the gathering. Using the elastic means that it can sit at different positions on the arm.
As a sewist, no holiday is complete without visiting the local Fabric Stores!
On our recent road trip around South Australia, including the Barossa, Adelaide Hills, McLaren Vale and Adelaide, we visited some amazing fabric stores we wanted to share with you!
We visited South Australia on our Operation Tiny House New Years’ Eve for the 2019-2020 New Year’s Eve (see our matching outfits from our New Year’s Eve Trip here), so we had a couple of favourites to visit again and some new ones to try!
DK Fabrics is a wonderland of fabrics! From dance fabrics to evening wear to cotton – it has such a diverse range of fabrics.
If you are looking for a bargain, there are some discounted fabrics for about $3.00. In contrast, if you are looking for more expensive fabrics like lace, sequins or satin, DK Fabric’s also has you covered.
This store has become a favourite to visit every time we come to South Australia!
Ferrier Fashion Fabrics reminds us of the fabric stores we used to visit with our Nan as children. It feels like you are walking into a treasure trove of a carefully picked collection of fabrics in a family-owned business.
This fabric store is filled with great quality and beautiful fabrics, whether you are looking for premium daywear, knit fabric or evening fabrics.
We were so excited when Nerida Hansen approached us to be guest sewing ambassadors to celebrate this new fabric collection in collaboration with Australian designer and artist Rachelle Holowko from Pattern and Design.
The fabric prints and colours are so beautiful, it was wonderful to sew these two projects!
For these projects, we used three of the Nerida Hansen and Rachelle Holowko collection fabrics.
The first fabric was the Bold Gingham by Nerida Hansen, which we used for the culottes.
The second fabric was the Carina fabric in navy by Rachelle Holowko which we used for the Cuff Sleeve Top.
The third fabric was the Manifesto fabric in wine by Rachelle Holowko which we used for the jumpsuit.
All of the fabrics were the Tencel Linen. We haven’t sewn with Tencel very much before. It has a wonderful drape and silky feel even though it is a medium-weight fabric.
Tencel is a natural fibre made from wood pulp, which is blended with a small amount of linen for these fabrics.
Project 1 – Nerida Hansen Culottes
For this outfit, we really wanted to contrast the pretty floral with a bold contrast fabric for the pants. The ‘Bold Gingham fabric has the perfect scale of print for pants and balances the large floral of the top. We don’t usually pair different prints together – so this was a great project to challenge our style!
This was our first time sewing with Nerida Hansen. The cuffs sleeve top and culottes are both simple but effective designs that allow the fabric to be the feature! The patterns are great staple pieces that would be perfect for new sewists looking to expand these skills or for seasoned sewists looking for classic designs to add to their collection.
In particular, we loved that the culottes pattern has a flat front band even though it has an elastic back.
Note: We sized down in the top as we wanted the top to be more fitted than the finished garment measurement indicated on the pattern.